Cut together from rehearsals, performances, shootings in Hong Kong and short videos captured during the artist’s travels across the world, the film contains many stories. The film separates (and connects) two distinct states of being “[…] half hope, half fear; that a dog will become a wolf.” This interstitial state translates to a discontinuous editing style, alternating between different times and environments. The central motif is a tunnel. At a metaphorical level, the tunnel could serve as an exit from the unconscious or a means to descend into unknown depths.